THE LOST SPRING
Stories of Stolen Childhood
v Anees Jung:
·
An Indian author,
journalist and a columnist for major newspapers
in India and abroad
·
From
an aristocratic family in Hyderabad – her father, Nawab Hosh Yar Jung, was a renowned scholar and poet, and served as the musahib (adviser) to the last Nizam (prince) of Hyderabad State.
·
Famous
for her notable work “Unveiling India”
·
Her works
reflects on-
1. Under privileged peoples plight
2. Condition of Indian women
v Reason to include this chapter in your
syllabus-
1. We should be aware of the contemporary world,
the world around us
2. We should be sensitive towards people living
next to us
3. We should try to understand plight of poor
children, who are deprived of schooling for different reasons(working in
different factories, hotels, shops etc)
4. We should know rights of children and laws made
to protect them
v The title – “The Lost Spring”
1. Spring is the best season; it is the season of joy and happiness. Flowers bloom and trees get new leaves in this season. So it is the season of growth too. In the same way childhood is the best part of our life. It is the time for our growth and development. It is the time to bloom and be happy. But there are some children who’re deprived of this happiness. For these children this spring is consumed in poverty, dirt and dust. And at a very tender age their shoulders are burdened with hard labour. So, their pursuit of childhood is lost in their overburdened life.
2. It suggests the plight of street children who
are forced into labour and denied of schooling.
3. Callousness of society and the elite class –
the society is not at all bothered by the condition of these children. Even the
elite group of people like politicians who’re elected to serve people are not
at all interested in the plight and future of these children, the policeman who
is recruited to protect people’s right harass these people in different
times.
4. Author analyses extreme poverty and traditions
which condemn these children to a life of poverty and exploitation.
v The story taken from her book – “Stories of Stolen
Childhood”
v Chapter includes two stories
1. About SEEMAPURI
2. About FIROZABAD
v Story from Seemapuri
1. Title-
Sometimes I Find a Rupee in the Garbage
I.
The story begins
with a statement given by a young boy named, Saheb. Sahib when says “sometimes I find a rupee in
the garbage” he uses a figures of speech i.e. hyperbole. When we exaggerate
something then that’s called hyperbole. It’s used to beautify the language.
II.
Then author
introduce us to Saheb in “Flashback” i.e. author moves back to introduce who is
Saheb and where he belong.
2. The Main character- Saheb
I.
Saheb is a rag-picker.
Every morning the narrator notices him scrounging the garbage for something. He
belonged to the green fields of Dhaka.
But as his mother say long back they left their home due to frequent storm and came to the present city in search of a better life.
II.
When the narrator
asked why he keeps searching the garbage. He says he has nothing else to do. At
this point narrator suggests him to go to school. Saheb says there is no school in his
neighbourhood. If there will be one he’ll attend. Then narrator promised to build one. Although she didn’t mean it. But the boy was serious. He asked of the school when he saw her again. The narrator at this point felt small as she was not all serious about the school.
III.
After months of knowing him author comes to know his name. His name is Saheb- ei-Alam, meaning lord of the universe. There is an irony behind his name. There is nothing he can own, not even a pair of chappals. He roams bare foot with an army of barefoot boys. But he was named as Saheb- ei- Alam.
IV.
Then narrator remembers the story of a man.
Settlement
at Seemapuri
1.
Huts are made of mud , tarpaulin and tin roofed
2.
Poor sanitation
and no sewage
3.
No proper
drinking water
4.
Compelled to live
a substandard life
5.
Though Seemapuri is in the outskirt of Delhi its metaphorically far away from Delhi because there is no match in the life style of inhabitants of Delhi and Seemapuri
6.
Food was more
important for survival than identity
7.
They don’t have
any identity or belongingness but they do have a ration card which makes them
buy grain and acts as vote banks for the politicians
8.
They live by rag
picking. Both children and elders are rag-pickers. But rag picking means
differently to them. For the elders it’s the source of income and for the
children it is far more. It is the hidden treasure, a gold mine from where
sometimes they find a coin or even a ten rupee note.
9.
Children are deprived of schooling and fulfilling their dreams. They don’t even have a pair of shoes to wear. They walk barefoot and semi naked body.
Character of Saheb
1. Ironically his complete name is Saheb-ei-Alam, meaning lord of the universe. Whereas he is a rag-picker living in Seemapuri, an outskirt of Delhi.
2. He is ten years old, dreams to go to school,
play tennis and wear tennis shoes. His dream is not fulfilled. Although he
managed to get a discarded pair of shoes.
3. Later he works in a tea stall for Rs.800/- per
month. Although he managed to get a job he is no more master of his own. Now he
works for someone else and loses his freedom.
4. He is unhappy. The weight of the tin canister
is heavier than the rag picking bag. Because the canister belonged to someone
else but the rag picking bag was of his own.
5. Through the character of Saheb we see how
children are forced to work and exploited.
Different reasons writer gives for children
not wearing sleepers
1. Mother has not given sleepers
2. Following the tradition to walk barefoot
3. Although the real reason is they lack money.
It is their poverty.
2nd Story- Mukesh
v Title – “I want to drive a car”, it’s a statement by Mukesh, a small boy of a
bangle maker family.
v Firozabad:
Centre of India’s glass making industry. Families here live by bangle making
business. They have spent years after years working around furnaces, welding
glasses and making bangles. Many lost their eyesight in the process.
v Description of their work place
1. Small dark huts having no light and very poor
ventilation.
2. High temperature and full of smoke
3. Stinking smells comes from garbage
4. dingy cells
5. unsteady doors and no windows
6. dust of glass effects both their health and
eyesight
7. human and animals co-exist
v Economic condition
1. Exploited by Sahukars, Politicians, Policeman, bureaucrat and middleman
2. All the profits are begged by these people
3. Compelled to lead a substandard,
underprivileged life and unhygienic life
Reason
to continue as bangle maker-
1. They say its god given lineage and how can
they break it.
2. They don’t dare to change it
3. They don’t have a good leader to lead
4. They don’t dare to break the vicious circle of exploitation by Sahukars, Politicians, Policeman, bureaucrat and middleman
5. Hundreds of years of slavery
had killed the initiative of people to think of a better life.
6. They carried on their
miserable life as they did not have the courage to rebel against tradition.
They did not have money enough to start their own new kind of enterprise.
7. If someone dared to start a new line, there were police, middle-men, sahukars and politicians to persecute them. Police, middle-men and others would not allow them to take any other vocation. Justice after all is the right of the rich and the powerful, not of the helpless like Mukesh. The condition of the life of Saheb or Mukesh was far from desirable. It should not be allowed to continue. But some people must bell the cat. The writer was happy when he came to know that some young men like Mukesh was ready to take the plunge, rebel against tradition and start a new life.
v MUKESH
1. He is a child labour in the family profession
of bangle making business
2. He is daring and different from all other
children and family members who have submitted to miseries and hazardous
profession
3. Although he is grown up seeing bangle making
wants to be a motor mechanic , his own master
4. He is ready to walk long way to the garage
v SAVITA:
a young girl sitting next to the elderly woman. She is also busy making bangles
without knowing the austerity of bangles in Indian women’s life.
v Question -answer
1. Explain the significance of title ‘Lost Spring’.
Ans: In this lesson, the author Anees Jung examines and analyses the grinding poverty and tradition that condemn children to a life of exploitation. Saheb as a rag-picker whose parents have left behind a life of abject poverty in Bangladesh. His family, like the many other families of rag pickers lives in Seemapuri. They live in miserable condition. The writer is pained to see Saheb, whose name means the ruler of the Earth, lose the spark of childhood. She then proceeds to tell about Mukesh who does want to be his own master. Hailing from Firozabad, the centre of India’s bangle making and glass blowing industry, he has always worked in the glass making factory. His family does not know that it is illegal for children to work in such close to furnaces with such high temperatures. They are exposed to various health hazards like losing their eyesight as they work in dark and dingy cells. The family of bangle maker of Firozabad are so burdened that they have lost their ability to dream. The writer’s observation is that these poor hopeless people are but pawn in the games that are played by Sahukars, middlemen, the policemen, the bureaucrats and the politicians. The title is meaningful as they lost their spring (childhood). The writer has beautifully essayed the story of stolen childhood with a view to sensitizing us to the plight of these poor unfortunate children.
2. Why do
children walk barefoot, in cities, or on village roads? Is it a tradition or
something else? What does the author Anees Jung sate about it in her story
‘Lost Spring’?
Ans: In this story the author analyses the grinding poverty and traditions that condemn children to a life of exploitation. She has been noticing the group of barefoot rag pickers children for many months. She asks one why he is not wearing footwear. Another adds if he gets, he will throw them off. A third boy says that he wants shoes; he has never owned a pair all his life. Then the author tells a story of a man from Udipi as a young school boy, every morning on his way to school he would briefly stop at the temple and pray the goddess for a pair of shoes. When he had finally got a pair of shoes, he prayed, “Let me never lose them.” When Sahib wears pairs of discarded tennis shoes due to a hole in one of them, it does not bother him. For one who has walked barefoot even shoes with a hole is a dream comes true. The reality of life is that there are number of innocent children who lose the spring (youth) of their lives under the threat of grinding poverty which exploit them under the demand of nature for satisfying their hunger for their survival. It is not due to lack of money but a tradition to stay barefoot, is one explanation. This is only an excuse for the continuing state of poverty which is the cause of the children staying barefoot in cities or on village roads.
3. Who is Saheb? What is he looking for in the
garbage dumps and where has he come from?
Ans. Ans:
Saheb is a rag-picker of Seemapuri. The writer encounters him every morning scrounging
for gold in the garbage dumps in her neighbourhood. He hails from Dhaka and he
was migrated from Bangladesh in 1971. His house and fields were destroyed by
storm.
4. Why do
these children remain barefoot?
Ans:
Throughout the country the author has seen many barefoot rag picker children.
On asking about not wearing chappals, they many excuses. One says that his
mother has not brought them down from the shelf. Another point out that he will
throw them if she brings. The third one replies that it is an excuse. It is not
the lack of money.
5. What is
the condition of the children working in the glass factory/ furnaces of
Firozabad?
Ans: More than 20,000 children are illegally working in glass blowing factories in Firoza- bad. They work around furnaces in high temperatures to weld glasses. They work in dingy cells without light and air. Their eyes are adjusted to the dark than to the light outside. Many of them become victims of losing their eye-sight before they become adults. They work all day long.
6. Who is Mukesh? What is his dream?
Ans: He belongs to the family of bangle maker in Firozabad where each family is engaged in bangle making. They live in half built huts. Mukesh says. ‘I will be a mother mechanic. I will learn to drive a car.’ Thus he wants to be his own master.
7. What did author comes to know of the boy one
day?
Ans One day author comes to know the boy’s name and his background. His name is Saheb-ei-Alam. He belonged to Bangladesh. But due to frequent storm and flood they left their home and came to India in search of better livelihood.
8. What did Saheb’s mother tells of their family?
Ans. His
mother tells him that they had a home at the green fields of Bangladesh. But
due to frequent storm and flood they lost it.
9. What promise did the author make to Saheb?
Ans. She
promised him to open a school.
10. ‘Garbage to them is gold.’ Why does the author
say to about the rag-pickers?
Ans: More
than 10,000 rag-pickers of Seemapuri live in squatters. For them is garbage is
gold and it is wrapped in wonder. For a child, it is their bread. Sometimes a
child can find a silver coin or more in a heap of garbage. For the elders it is
a means of survival.
11. How did Anees Jung feel when Saheb asked of
the School?
Ans. The
author feel belittle when the boy asked about the opening of the school.
Because she didn’t meant opening a school when she asked the boy to join a
school. She just joked about it.
12. What does Saheb-ei-Alam mean?
Ans. Saheb-ei-Alam means lord of the universe. The boy doesn’t know the meaning of his name. Author says if he would know he won’t believe it.
13. .Who is Saheb? What is he looking for in the
garbage dumps and where has he come from?
Ans: Saheb
is a rag-picker of Seemapuri. The writer encounters him every morning
scrounging for gold in the garbage dumps in her neighbourhood. He hails
from Dhaka and he was migrated from Bangladesh in 1971. His house and fields
were destroyed by storm.
14. What explanations does the author offer for
the children not wearing foot wear?
Ans. When
the author asked the children why they were always barefoot , one
said it was because his mother had not pulled his shoes from the shelf while
the other explanation was that it was a tradition in their community to walk
barefoot. The author did not quite believe it and realized that it was their
perpetual state of poverty which was responsible for their moving around in
that manner.
15. . What makes the city of Firozabad
famous?
Ans. Firozabad is famous for bangles. Every other family in Firozabad is engaged in making bangles. It is the centre of India’s glass blowing industry where families have spent generations working around furnaces, welding glass, making bangles for women all over India.
Ans. Firozabad is famous for bangles. Every other family in Firozabad is engaged in making bangles. It is the centre of India’s glass blowing industry where families have spent generations working around furnaces, welding glass, making bangles for women all over India.
16. How did Saheb manage to embarrass the
author?
Ans. The author
like many others who gave hollow advice had told Saheb to attend school,
only to be informed that there was no school in his locality. She
jokingly enquired whether he would enroll in her school if she
happened to open one. Saheb happily agreed and a few days later when he met the
author he enquired about the school. The author was embarrassed
because the promise was not meant to be fulfilled.
17. ‘Garbage to them is gold.’ Why does the author
say so about the rag-pickers?
Ans: More
than 10,000 rag-pickers of Seemapuri live in squatters. For them is garbage is
gold and it is wrapped in wonder. For a child, it is their bread. Sometimes a
child can find a silver coin or more in a heap of garbage. For the elders it is
a means of survival.
18. How is Mukesh different from Saheb?
Ans. Saheb
sacrificed his freedom when he took job at the tea stall but Mukesh insisted on
being his own master. Though Saheb wanted to study but he was not ready to make
effort to get educated, rather he accepted his fate. On the other hand Mukesh
was determined to become motor mechanic and was ready to make every possible
effort to accomplish his dreams.
19. What forces conspire to keep the workers in
the bangle industry of Firozabad in poverty?
Ans. Lack of education and awareness, stigma of being born in the caste of banglemakers, vicious nexus of sahukars, middlemen, politicians and police suppresses the bangle makers and keep them poverty stricken. Broken spirit, dormant initiative, fear of being beaten and dragged to jail, absence of leadership are the other forces which conspire to keep them in poverty.
20. What prompted the author to remark that
promises like the one she made abound in every corner of Saheb’s
bleak world?
Ans. The
author had promised to open a school in which Saheb could study
but had no intention of doing so. She says that hollow promises like hers
guaranteeing a better life were made to the deprived section of the society all
the time but were never fulfilled
21. How did garbage hold different meanings for
adults and children?
Ans. For
adults rag picking was only a means of survival but for children a lot of
excitement was associated with the same for they often found unexpected things
as a ten rupee note in the same. There was always a hope of coming across
unexpected surprises and so garbage was wrapped in wonder for them.
22. Through the years rag picking has acquired the
‘proportion of a fine art’ in Seemapuri. Justify the statement.
Ans.The
means of survival of migrants of Bangladesh in Seemapuri is rag
picking. Garbage to them is gold. Like a fine art that has no end in appealing
the sense of beauty the rag picker’s scrounging the garbage is a never ending
process which provides them their daily bread day after day.
23. Why was not Saheb happy on getting a
job?
Ans. Saheb was not happy on getting a job in tea stall for a salary of Rs.800/- per month as he lost his freedom. He had to carry the stall owner’s steel canister in place of his bag. He lost his carefree look He was now no longer his own master.
Ans. Saheb was not happy on getting a job in tea stall for a salary of Rs.800/- per month as he lost his freedom. He had to carry the stall owner’s steel canister in place of his bag. He lost his carefree look He was now no longer his own master.
24. Why does the author say that Seemapuri in
spite of being on the periphery of Delhi was miles away from it?
Ans. The
author remarks so to highlight the economic disparity between the people of
Delhi and the rag pickers of Seemapuri. The opulence of Delhi is in no way
related to the dire poverty of the residents of Seemapuri.
25. How does Mukesh’s grandmother view the family
occupation of bangle making and its poverty?
Ans. Mukesh’s
grandmother views bangle making as the destiny of her family. Her husband’s
blindness, their misfortune and impoverished condition, she feels, are ordained
by destiny. Years of suffering makes her accept everything in the name of karma
or fate.
26. Why did not the bangle makers organize
themselves into a co-operative?
Ans. Bangle
makers did not do so because if they tried to get organized they would be
beaten up by the police and dragged to jail for doing something illegal. They
had no leader who could show them the way.
27. What are the two worlds that the author talks
about?
Ans. The first one was that of the families of the bangle makers, caught in a web of poverty and burdened by the stigma of the caste to which they belonged. The second one was that of a vicious circle of sahukars, the middlemen, the policemen, the keepers of law, the bureaucrats and the politicians.
28. . Explain the significance of title ‘Lost
Spring’.
Ans: In this
lesson, the author Anees Jung examines and analyses the grinding poverty and
tradition that condemn children to a life of exploitation. Saheb as a ragpicker
whose parents have left behind a life of abject poverty in Bangladesh. His
family, like the many other families of rag pickers lives in Seemapuri. They
live in miserable condition. The writer is pained to see Saheb, whose name
means the ruler of the Earth, lose the spark of childhood. She then proceeds to
tell about Mukesh who does want to be his own master. Hailing from Firozabad,
the centre of India’s bangle making and glass blowing industry, he has always
worked in the glass making factory. His family does not know that it is illegal
for children to work in such close to furnaces with such high temperatures.
They are exposed to various health hazards like losing their eyesight as they
work in dark and dingy cells. The family of bangle maker of Firozabad are so
burdened that they have lost their ability to dream. The writer’s observation
is that these poor hopeless people are but pawn in the games that are played by
Sahukars, middlemen, the policemen, the bureaucrats and the politicians. The
title is meaningful as they lost their spring (childhood). The writer has
beautifully essayed the story of stolen childhood with a view to sensitizing us
to the plight of these poor unfortunate children.
v EXTRA QUESTIONS
Short Questions
1.
Where does the author meet Saheb
every morning?
2.
What reason did Saheb give for not
going to school?
3.
Bring out the contrast drawn
between his life in reality and the meaning of his name?
4.
What reason does a person give for
walking barefoot? What is the author’s personal opinion regarding this
reasoning?
5.
Bring out the difference in the
standard of living of the priests of the past and the present?
6.
How does rag picking differ for an
adult and for a child?
7.
Why does the hole in the shoe not
bother Saheb?
8.
Was Saheb happy with the newfound
job? If not, why?
9.
Bring out the horrible condition within the
glass blowing industry?
10. Describe the living
condition in Firozabad?
11. Why does Mukesh`s grandmother feel it a futile exercise for Mukesh
to fight taking up the job in glass blowing industry?
12. Why are they reluctant to
form into cooperatives?
13. What all things comprise the vicious circle from where there is no
escape?
14. Why is daring a difficult task? What cheers the narrator while
talking to Mukesh?
15. Why is Mukesh content to dream only of cars and not of planes?
16. Why are promises to the
poor rarely kept?
Essays
17. Do you think the child labour law should be enforced? If the child
labour law is enforced approximately how many rag pickers and how many bangle
makers would be freed from Seemapuri and Firozabad? Envisage the life Saheb and
Mukesh would enjoy if they were freed? How would it be different from the
present condition?
18. Bring out from the lesson the pathetic condition of children
working in inhuman conditions?
19. Saheb has lost all the joy and freedom by working in the tea stall
where he is no longer his own master. Do you think his decision was wise or
could he have made a better choice? Or was it still better to leave him at rag
picking where he was his own master?
20. Draw the similarities between the life of the rag pickers and the
bangle makers as portrayed in Lost Spring
21. Describe the locality of where Saheb lived.
22. “Seemapuri , a place on periphery of Delhi yet miles away from it
metaphorically.” Comment.
23. Why did people migrate from the village in Dhaka to Delhi?
24. How is the line ‘few
airplanes fly over Firozabad’ symbolically significant?
25. Mention any two hazards of working in the glass bangles industry.
26. What was the full name of Saheb. Describe the irony of his fate?
27. “Saheb-e-Alam” – lord of universe-but had to pick rags – was
not the master of himself.
28. What is special about the
story of the man from Udipi?
29. Why do the rag pickers have ration permits but no
identity?
30. Why did the rag pickers
have to leave their green fields in their country ?
31. How do children of rag pickers become equal partners in survival?
32. How has “a dream comes true “for Saheb but what is “out of his
reach”? (got a pair of shoes, playing tennis was out of his reach)
33. Who is Mukesh? What is his dream? Why does it look like a ‘mirage
amidst the dust’?
34. How is the bangle industry of Firozabad a curse for childhood ?
35. What do bangles symbolize? What is ironical in making of bangles
by Savita and wearing of bangles by an elderly woman who has no light in her
eyes?
36. Why does the author say that the bangle makers are caught in a
vicious web?
37. What do bangles symbolize? What is ironical in making of bangles
by Savita and wearing of bangles by an elderly woman who has no light in her
eyes?
38. Has Firozabad changed with time? Give reasons
39. ‘Lost Spring’, is a sad commentary on the political system of our
country that condemns thousands of people to a life of abject poverty. Comment.
40. The life of bangle makers of Firozabad was full of obstacles which
forced them to lead a life of poverty and deprivation. Discuss with reference
to Lost Spring.
41. The bangle-makers of Firozabad make beautiful bangles and make
everyone happy but they live and die in squalor. Elaborate
42. Give a brief account of the life and activities of the people like
Saheb-e-Alam settled in Seemapuri.
43. 'Lost Spring' explains the grinding poverty and traditions that
condemn thousands of
44. People to a life of abject poverty. Do you agree? Why / Why not?
45. “Seemapuri , a place on periphery of Delhi yet miles away from it
metaphorically.” Comment.
46. Bring out the significance
of Mukesh’s dream of becoming a motor mechanic.
47. “There is a vast gulf that separates dreams from reality” Discuss
with special reference to Mukesh and Sahib.
48. Bring out irony and pathos in the story of Anees Jung.